Inspired by Nancy Holt, I took images as documentation, which also can be considered as the final piece. These images of colours are from the four corners of the screen.

After printing (A5, 250 gsm matte paper, laser print), I realise that this method of photographing the projected image has huge potential in the way the final work could be displayed or presented. There is depth in the way the shadows projected themselves, which is my current preference in an image. The combination and the merging of colours and light is the display of beauty from the unity at play through the sculptural element of the piece.

When printing future stills of the projected image, I will print each A2 size as a minimum. The reason is, if these images where printed at a much larger scale, the audience would have to confront the colours and its details. As if it was the three dimensional work itself being conveyed through the screen at the time. If this was the case, then a moving image would be a great method to capture the movement of the colours as well.

The negative side to this is that, from the methods used so far, the audience are unable to see the three rings within the screen or frame. Therefore, what needs to be done is, the colours and the light be drawn closer together in regards to its physical distance.

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September 14th, 2018

Melbourne, Australia

Europe, July 2017

Portfolio Exchange, 2017

May 8th, 2017

March 21st, 2017

September 14^th, 2018

May 8^th, 2017

March 21^st, 2017